Selective
Subject Bibliographies of Film
by Paul J. Spaeth
5a. Regions & Countries:
United States
General
Tino Balio (ed.) The American Film Industry. Rev. ed.
Madison
:
University
of
Wisconsin Press, 1985.
Gregory Battcock (ed.) The New American Cinema.
New York
: Dutton, 1967.
David Boardwell, Janet Saiger, Kristin Thompson. The
Classical Hollywood Cinema: Film Style and Mode of Production to 1960.
New York
:
Columbia
University
, 1985.
Gene Brown. Movie Time: A Chronology of
Hollywood
and the Movie Industry from its Beginnings to the Present.
New York
: Macmillan, 1995.
Daniel Curran. Guide to American Cinema, 1965-1995.
Greenwood
, 1998.
Gene Fernett. American Film Studios: An Historical
Encyclopedia.
Jefferson
,
NC
: McFarland, 1988.
Douglas Gomery. The
Hollywood
Studio System.
New York
:
St. Martin
’s, 1986.
Benjamin B. Hampton. A History of the Movies.
New York
: Covici, Friede, 1931.
[later reprinted as: History of the American Film Industry from
its Beginnings to 1931]
Charles Higham. The Art of the American Film. Garden City,
NJ: Doubleday, 1973.
Garth Jowett. Film, the Democratic Art: A Social History of
American Film.
Boston
: Little, Brown, 1976.
Gorham Kindem (ed.) The American Movie Industry: The
Business of Motion Pictures.
Carbondale
:
University
of
Illinois
Press, 1982.
Richard Kozarski (ed.) Hollywood Directors, 1914-1940.
New york
:
Oxford
University Press, 1976.
Jon Lewis (ed.) The New American Cinema.
Durham
: Duke University Press, 1998.
Todd McCarthy & Charles Flynn (eds.) Kings of the
B’s: Working Within the Hollywood System. An Anthology of Film History and
Criticism.
New York
: Dutton, 1975.
Andrew Sarris. The American Cinema: Directors and
Directions, 1929-1968.
New York
: Dutton, 1968.
Andrew Sarris. “You Ain’t Heard Nothin’ Yet”: The
American Talking Film, History and Memory, 1927-1949.
New York
:
Oxford
University
Press, 1998.
Thomas Schatz. The Genius of the System:
Hollywood
Filmmaking in the Studio Era.
New York
: Pantheon, 1988.
Robert Sklar. Movie-made
America
: A Cultural History of American Movies. Rev. ed.
New York
: Random House, 1994.
Anthony Slide. The New Historical Dictionary of the
American Film Industry. Lanham, MD: Scarecrow, 1998.
Janet Staiger (ed.) The Studio System.
New Brunswick
,
NJ
:
Rutgers
University
Press, 1995.
Thomas R. Whiston. Guide to American Cinema, 1930-1965.
Greenwood
, 1998.
Steve Neale &
Murray
Smith (eds.). Contemporary Hollywood Cinema.
London
: Routledge, 1998.
The American Film Institute Catalog of Motion Pictures
Produced in the
United States
.
Berkeley
:
University
of
California
Press, 1971-
Contents: A. Film Beginnings, 1893-1910.—F1. Feature Films, 1911-1920.—F2.
Feature Films, 1921-1930.—F3. Feature Films, 1931-1940.—F4. Feature Films,
1941-1950.—F5. Feature Films, 1951-1960.—F6. Feature Films, 1961-1970.—F7.
Feature Films, 1971-1980.—F8. Feature Films, 1981-1990.—N1. Newsreels,
1908-1920.—N2. Newsreels, 1921-1930.—N3. Newsreels, 1931-1940.—N4.
Newsreels, 1941-1950.—N5. Newsreels, 1951-1960.—N6. Newsreels,
1961-1970.—S1. Short Films, 1911-1920.—S2. Short Films, 1921-1930.—S3.
Short Films, 1931-1940.—S4. Short Films, 1941-1950.—S5. Short
Films,1951-1960.—S6. Short Films, 1961-1970.—S7. Short Films,
1971-1980.—S8. Short Films, 1981-1990.
General: Studio Histories
Ronald Bergan. The United Artists Story.
New York
: Crown, 1986.
John Douglas Eames. The MGM Story.
New York
: Crown, 1976.
John Douglas Eames. The
Paramount
Story.
New York
: Crown, 1985.
Clive Hirschorn. The
Columbia
Story.
New York
: Crown, 1989.
Clive Hirschorn. The Universal Story.
New York
: Crown, 1983.
Clive Hirschhorn. The Warner Brothers Story.
New York
: Crown, 1979
Richard B. Jewell. The RKO Story.
New York
:
Arlington
House, 1982.
General: Avant-garde & Independent
Geoff Andrew. Stranger Than
Paradise
: Maverick Film-makers in Recent American Cinema.
New York
: Limelight Editions, 1999.
Randall Clark. At a Theater or Drive-in Near You: The
History, Culture an Politics of the American Exploitation Film.
New York
:
Garland
, 1995.
Jim Hiller (ed.) American Independent Cinema: A Sight and
Sound Reader.
London
: BFI, 2001.
Jan-Christopher Horak (ed.) Lovers of Cinema: The First
American Film Avant-garde, 1919-1945.
Madison
:
University
of
Wisconsin
Press, 1995.
Emanuel Levy. Cinema of Outsiders: The Rise of American
Independent Film. New
York
University
Press, 1999.
Greg Merritt. Celluloid Mavericks: A History of American
Independent Film.
New York
: Thunder’s Mouth, 2000.
Sheldon Renan. An Introduction to the American Underground
Film.
New York
: Dutton, 1967.
Marilyn Singer & John G. Hanhardt. A History of the
American Avant-garde Cinema.
New York
: American Federation of the Arts, 1976.
P. Adams Sitney. Visionary Cinema: The American
Avant-garde, 1943-1978. 2nd ed.
New York
:
Oxford
University
Press, 1979.
General: Special Studies
Nick Browne (ed.) Refiguring American Film Genres: History
and Theory.
Berkeley
:
University
of
California
Press, 1998.
Kenneth M. Cameron.
America
on Film:
Hollywood
and American History.
New York
: Continuum, 1997.
Larry Ceplair & Steven Englund. The Inquisition in
Hollywood
: Politics in the Film Community, 1930-1960. Garden City: Anchor Press, 1980.
Douglas Gomery. Shared Pleasures: A History of Movie
Presentation in the United States.
Madison
:
University
of
Wisconsin
Press, 1992.
Charles Higham.
Hollywood
Cameramen: Sources of Light.
Bloomington
:
Indiana
University Press, 1970.
Ian Jarvie.
Hollywood
’s Overseas Campaign: The North Atlantic Movie Trade, 1920-1950.
New York
:
Cambridge
University
Press, 1992.
Leonard J. Leff & Jerrold L. Simmons. The Dame in the
Kimono:
Hollywood
, Censorship and the Production Code from the 1920s to the 1960s.
New York
: Grove Wiedenfeld, 1990.
Kenneth MacGowan. Behind the Screen: The History and
Techniques of the Motion Picture.
New York
: Delacorte, 1965.
Steve Neale. Genre and
Hollywood
.
London
: Routledge, 2000.
Brian Neve. Film and Politics in
America
: A Social Tradition.
New York
: Routledge, 1992.
John E, O’Connor & Martin A. Jackson (eds.) American
History / American Film: Interpreting the
Hollywood
Image.
New York
: Unger, 1979.
Peter Roffman & Jim Purdy. The
Hollywood
Social Problem Film: Madness, Despair and Politics from the Depression to the
Fifties.
Bloomington
:
Indiana
University
, 1981.
Michael Ryan & Douglas Kellner. Camera Politica: The
Politics and Ideology of Contemporary
Hollywood
Film.
Bloomington
:
Indiana
University
Press, 1988.
Thomas Schatz.
Hollywood
Genres: Formulas, Filmmaking and the Studio System.
Philadelphia
:
Temple
University
Press, 1981.
Kerry Segrave. American Films Abroad:
Hollywood
’s Domination of the World’s Movie Screens from the 1890s to the Present.
Jefferson
,
NC
: McFarland, 1997.
Tom Stempel. Framework: A History of Screenwriting in the
American Film.
New York
: Continuum, 1988.
Topical Studies
Colonial
America
Bertil O. Osterberg. Colonial
America
on Film and Television.
Jefferson
,
NC
: McFarland,
2001.
The Civil War
Jack Spears. The Civil War on the
Screen and Other Essays.
New York
: A. S. Barnes, 1977.
The West
Les Adams & Buck Rainey.
Shoot-em Ups: The Complete Reference Guide to Westerns of the Sound Era.
New Rochelle
,
NY
:
Arlington
House, 1978.
David Austin. "Continental Westerns" Fims and
Filming. 17 (July 1971) 36-44.
Andre Bazin. "The Evolution of the Western"
Andre Bazin. "The Western, or the American Film Par
Excellence"
Edward Buscombe (ed.) The BFI Companion to the Western.
New York
: Atheneum, 1988.
Jenni Calder. There Must Be a Lone Ranger: The American
West in Film and in Reality.
London
: Hamish Hamilton, 1974.
John G. Cawelti. The Six-Gun Mystique.
Bowling Green
:
Bowling Green
University Popular Press, 1971.
William K. Everson. The
Hollywood
Western.
Seacaucus
,
NJ
: Carol, 1992.
Allen Eyles. The Western.
South Brunswick
,
NJ
: A. S. Barnes, 1975.
George N. Fenin & William K. Everson. "The
European Western" Film Culture 20 (1959) 59-72.
George N. Fenin & William K. Everson. The Western: From
Silents to the Seventies. NY: Grossman,
1973.
Philip French. Westerns: Aspects of a Movie Genre. Revised
edition. NY:
Oxford University Press, 1977. (Cinema One ; 25)
Brian Garfield. Western Films: A Complete Guide.
New York
: Da Capo, 1982.
Phil Hardy. Overlook Encyclopedia of Film: Western.
Woodstock
,
NY
: Overlook, 1994.
Jim Kitses. Horizons West: Anthony Mann, Budd Boetticher,
Sam Peckinpah: Studies of Authorship within the Western.
Bloomington
:
Indiana
University
Press, 1970. (Cinema One ; 12)
Larry Langman. A Guide to Silent Westerns.
New York
:
Greenwood
Press, 1992.
John H. Lenihan. Showdown: Confronting Modern
America
in the Western Film.
Urbana
:
University
of
Illinois
, 1980.
Frank Manchel. Cameras West.
Englewood
Cliffs, NJ: Prentice-Hall, 1971.
Richard Maynard. The American West on Film: Myth and
Reality. Rochelle Park, NJ: Hayden, 1974.
Jack Nachbar (ed.) Focus on the Western.
Englewood
Cliffs, NJ: Prentice-Hall, 1974.
Jack Nachbar. Western Films: An Annotated Critical
Bibliography.
New York
:
Garland
, 1975.
James Robert Parish & Micahel Pitts. The Great Western
Pictures.
Metuchen
,
NJ
: Scarecrow, 1976.
William T. Pilkington & Don Graham (eds.) Western
Movies.
Albuquerque
: University of
New Mexico
, 1979.
Buck Rainey. The Reel Cowboy: Essays on the Myth in Movies
and Literature.
Jefferson
, NC: McFarland, 1996.
T. J. Ross. "Fantasy and Form in the Western: From
Hart to Peckinpah" December 12:1 (Fall 1970) 158-69.
Wayne Michael Sarf. God Bless You
Buffalo
Bill: A Layman;s Guide to History and the Western Film.
Rutherford
,
NJ
:
Farleigh
Dickinson
University
, 1983.
Jon Tuska. The American West in Films: Critical Approaches
to the Western.
Westport
, CT:
Greenwood
Press, 1985.
Jon Tuska. The Filming of the West. Garden City, NY:
Doubleday, 1976.
Will Wright. Sixguns and Society: A Structural Study of the
Western.
Berkeley
:
University
of
California
Press, 1975.
The South
Jack
Temple
Kirby
. Media Made
Dixie
: The South in American Imagination. Baton Rouge,
LA:
Louisiana
State
University
Press, 1978.
Chronological Studies by Decades
Origins, Teens & Twenties (The Silent Era)
Eileen Bowser. The Transformation of Cinema: 1907-1915.
New York
: Scribner’s, 1990 (History of the American Cinema ; 2)
Kevin Brownlow. The Parade’s Gone By.
New York
: Ballantine, 1968.
Craig W. Campbell. Reel
America
and World War I: A Comprehensive Filmography and History of Motion Pictures in
the
United States
, 1914 to 1920.
Jefferson
,
NC
: McFarland, 1985.
Paula Marantz Cohen. Silent Films & the Triumph of the
American Myth.
New York
:
Oxford
, 2001.
William K. Everson. American Silent Film.
New York
:
Oxford
University
, 1978.
Thomas Gunning. D. W.
Griffith
and the Origins of American Narrative Film: The Early Years at Biograph.
Urbana
:
University
of
Illinois
Press,
Robert Henderson. D. W.
Griffith
: The Years at Biograph.
New York
: Farrar Strauss Giroux, 1970.
Gordon Hendricks. Beginnings of the Biograph: the Story of
the Invention of the Mutoscope and the Biograph and Their Supplying Cameras.
1964.
Gordon Hendricks. The Kinetoscope:
America
’s First Commercially Successful Motion Picture Exhibitor. 1966.
Lewis Jacob. The Rise of American Film: A Critical History.
With an Essay Experimental Cinema in
America
, 1921-1947.
New York
: Teachers College Press, 1968. [main
text covers up to 1939]
Charlie Keil. Early American Cinema in Transition: Story,
Style, and Filmmaking, 1907-1913.
Madison
:
University
of
Wisconsin
Press, 2001.
Richard Koszarski. An Evening’s Entertainment: The Age of
the Silent Feature Picture, 1915-1928.
New York
: Scribner’s, 1990. (History of the American Cinema ; 3)
Larry Langman. American Film Cycles: The Silent Era.
Westport
,
CT
:
Greenwood
, 1998.
Donald W. McCaffrey & Christopher P. Jacobs. Guide to
the Silent Years of American Cinema.
Greenwood
, 1999.
David H. Mould. American Newsfilm, 1914-1919: The
Underexposed War.
New York
:
Garland
, 1983.
Charles Musser. The Emergence of Cinema: The American
Screen to 1907.
New York
: Scribner’s, 1990 (History of the American Cinema ; 1)
Paul O’Dell.
Griffith
and the Rise of
Hollywood
.
Cranbury
,
NJ
: Barnes, 1970.
Terry Ramsaye. A Million and One Nights: A History of the
Motion Picture Through 1925.
New York
: Simon & Schuster, 1926.
David Robinson.
Hollywood
in the Twenties.
New York
: A.S. Barnes, 1968.
Steven J. Ross. Working-Class
Hollywood
: Silent Film and the Shaping of Class in
America
.
Princeton
University
Press, 1998.
Anthony Slide. Aspects of American Film Before 1920.
Metuchen
,
NJ
: Scarecrow, 1978.
Anthony Slide. Early American Cinema.
New York
: A.S. Barnes, 1970.
Kay Sloan. The Loud Silents: Origins of the Social Problem
Film.
Chicago
: University of
Illinois
Press, 1988.
Kristin Thompson. Exporting Entertainment:
America
in the World Film Market, 1907-1934.
London
: BFI, 1985.
Jerry Vermilye. The Films of the Twenties.
Secaucus
,
NJ
: Citadel, 1985.
Larry W. Ward. The Motion Picture Goes to War: The
U.S.
Government Film Effort During
World
War
I.
Ann Arbor
,
MI
: UMI, 1985.
Thirties (The Sound Era)
William Alexander. Film on the Left: American Documentary
Film from 1931 to 1942.
Princeton
University
Press, 1981.
Tino Balio. Grand Design:
Hollywood
as a Modern Business
Enterprise
, 1930-1939. New
York
: Scribner’s, 1993. (History of the American Cinema ; 5)
John Baxter.
Hollywood
in the Thirties.
New York
: A.S. Barnes, 1968.
Andrew Bergman. We’re in the Money: Depression
America
& its Films.
New York
:
Columbia
University
, 1971.
Gregory D. Black. “The Production Code and the
Hollywood
Film Industry, 1930-1940”
Film
History 3:2 (1989) 167-189.
Evan William Cameron (ed.) Sound and the Cinema: The Coming
of Sound to American
Film.
New York
: Redgrave, 1980.
Russell Campbell. Cinema Strikes Back: Radical Filmmaking
in the
United States
, 1930-
1942.
Ann Arbor
: UMI Research Press, 1982.
Donald Crafton. The Talkies: American Cinema’s Transition
to Sound, 1926-1931. New
York
: Scribner’s, 1997. (History of the American Cinema ; 4)
Thomas Doherty. Pre-Code
Hollywood
: Sex, Immorality and Insurrection in American
Cinema,
1930-1934.
New York
:
Columbia
University
Press, 1999.
Roger Dooley. From Scarface to Scarlett: American Films in
the 1930s.
New York
:
Harcourt
Brace Jovanovich, 1979.
Scott Eyman. The Speed of Sound:
Hollywood
and the Talkie Revolution.
New York
:
Simon
& Schuster, 1997.
Richard Fine.
Hollywood
and the Profession of Authorship, 1928-1940.
Ann Arbor
: UMI
Research
Press, 1979.
Harry M. Geduld. The Birth of the Talkies: From
Edison
to Jolson.
Bloomington
:
Indiana
University
Press, 1975.
Mick LaSalle. Complicated Women: Sex and Power in Pre-Code
Hollywood
. St.
Martin’s
Press, 2000.
Mick LaSalle. Dangerous Men: Pre-Code
Hollywood
and the Birth of the Modern
Man.
Thomas
Dunne, 2002.
Giuliana Muscio.
Hollywood
’s New Deal.
Philadelphia
:
Temple
University
Press, 1997.
Nick Roddick. A New Deal in Entertainment: Warner Brothers
in the 1930s.
London
:
BFI,
1983.
Colin Shindler.
Hollywood
in Crisis: Cinema and the American Society, 1929-1939.
Routledge,
1996.
Peter Stanfield.
Hollywood
, Westerns and the 1930’s: The Lost Trail. University of
Exeter
, 2001.
Jerry Vermilye. The Films of the Thirties.
Secaucus
,
NJ
: Citadel, 1982.
Mark A. Viera. Sin in Soft Focus: Pre-Code
Hollywood
.
New York
: Abrams, 1999.
Alexander Walker. The Shattered Silents: How the Talkies
Came to Stay.
New York
:
Morrow,
1979.
Gerald Weales. Canned Goods as Caviar: American Film
Comedies of the 1930s.
Chicago
:
University
of
Chicago
Press, 1985.
Forties
M. Joyce Baker. Images of Women in Film: The War Years,
1941-1945.
Ann Arbor
,
MI
:
UMI,
1980.
Jeanine Basinger. The World War II Combat Film: Anatomy of
a Genre.
New York
:
Columbia
University
Press, 1986.
Bernard F. Dick. The Star-Spangled Screen: The American
World War II Film.
Lexington
:
University
of
Kentucky
Press, 1985.
Thomas Doherty. Projections of War:
Hollywood
, American Culture and World War II.
New York
:
Columbia
University
Press, 1993.
Manny Farber. “Movies in Wartime” New Republic (January
3, 1944) 16-20.
Robert Frye. The
Hollywood
Propaganda of World War II.
Metuchen
,
NJ
: Scarecrow,
1994.
Charles Higham & Joel Greenberg.
Hollywood
in the Forties.
New York
: A.S. Barnes,
1968.
Roy Hoopes. When the Stars Went to War:
Hollywood
and World War II.
New York
:
Random
House, 1994.
Lewis Jacobs. “World War II and the American Film”
Cinema Journal 7 (Winter 1967-8)
1-21.
Dorothy B. Jones. “
Hollywood
Goes to War” Nation (January 27, 1945) 93-95.
Ken Jones & Arthur McClure.
Hollywood
at War: The American Motion Picture &
World
War II.
New York
: Castle, 1973.
Clayton R. Koppes & Gregory D. Black.
Hollywood
Goes to War: How Politics, Profits
and
Propaganda Shaped World War II Movies.
New York
: Free Press, 1987.
Richard R. Lingeman. “Will This Picture Help Win the
War?” Don’t You Know There’s
a War
On? The American Home Front, 1941-1945.
New York
: Putnam’s, 1970. (168-
223)
Dana Polan. Power and Paranoia: History, Narrative and the
American Cinema, 1940-
1950.
New York
:
Columbia
University
Press, 1986.
Thomas Schatz. Boom and Bust: The American Cinema in the
1940s.
New York
Scribner’s,
1997. (History of the American Cinema ; 6)
Michael Renov.
Hollywood
’s Wartime Women: Representation and Ideology. Anne
Arbor,
MI: UMI, 1988.
Russell Earl Shain. An Analysis of Motion Pictures About
the War Released by the
American
Film Industry, 1939-1970.
New York
:
Arno
, 1976.
Michael S. Shull & David E. Witt. Doing Their Bit:
Wartime American Animated Short
Films,
1939-1945.
Jefferson
,
NC
: McFarland, 1987.
Michael S. Shull & David E. Witt.
Hollywood
War Films, 1937-1945: An Exhaustive
Filmography
of American Feature-length Motion Pictures Relating to World War II.
Jefferson
,
NC
: McFarland, 1996.
Tony Thomas. The Films of the Forties.
Secaucus
,
NJ
: Citadel, 1975.
Andrea Walsh. Women’s Film and Female Experience,
1940-1950.
New York
: Praeger,
1984.
Allan L. Woll. The
Hollywood
Musical Goes to War.
Chicago
: Nelson-Hall, 1983.
Fifties
Peter Biskind. Seeing is Believing: How
Hollywood
Taught Us to Stop Worrying & Love
the
Fifties.
New York
: Pantheon, 1983.
Douglad Brode. The Films of the Fiftes: Sunset Boulevard to
On the Beach. Secaucus,
NJ:
Citadel, 1976.
Thomas Doherty. Teenagers & Teen-pics: The
Juvenilization of American Movies in the
1950’s.
Boston
: Unwin Hyman, 1988.
Andrew Dowdy. The Films of the Fifties: The
American
State
of Mind.
New York
:
Morrow,
1973.
Brandon French. On the Verge of Revolt: Women in American
Films of the Fifties. New
York
: Ungar, 1978.
Gordon Gow.
Hollywood
in the Fifties.
New York
: A. S. Barnes, 1971.
Sam Kashner & Jennifer Macnair. The Bad and the
Beautiful:
Hollywood
in the Fifties.
New York
: Norton, 2002.
Ed Sikov. Laughing Hysterically: American Screen Comedy of
the 1950’s.
New York
:
Columbia
University
Press,
Sixties
John Baxter.
Hollywood
in the Sixties.
New York
: A.S. Barnes, 1972.
Pat Billings & Allen Eyles.
Hollywood
Today.
New York
: A.S. Barnes, 1971.
Wheeler Winston Dixon. The Exploding Eye: A Re-Visionary
History of 1960’s
American
Experimental Cinema.
Albany
:
State
University
of
New York
Press, 1998.
Douglas Brode. The Films of the Sixties.
Secaucus
,
NJ
: Citadel, 1980.
David E. James. Allegories of Cinema: American Film in the
Sixties.
Princeton
,
NJ
:
Princeton
University
, 1989.
John L. Mason. The Identity Crisis Theme in American
Feature Films, 1960-1969. New
York
:
Arno
, 1977.
Paul Monaco. The Sixties: 1960-1969.
New York
: Scribner’s, 2001. (History of the
American
Cinema ; 8)
Ethan Mordden. Medium Cool: The Movies of the 1960’s.
New York
: Knopf, 1990.
Juan A. Suarez. Bike Boys, Drag Queens and Superstars:
Avant-garde, Mass Culture and
Gay
Identities in the 1960s Underground Cinema.
Bloomington
:
Indiana
University
Press,
1996.
Seventies
James Bernardoni. The New
Hollywood
: What the Movies Did with the New Freedoms
of the
Seventies.
Jefferson
,
NC
: McFarland, 1991.
Robert Bookbinder. The Films of the Seventies.
Secaucus
,
NJ
: Citadel, 1982.
Seth Cagin & Philip Dray.
Hollywood
Films of the Seventies: Sex, Drugs, Violence,
Rock n
Roll & Politics.
New York
: Harper & Row, 1984.
[reprinted
as: Born to Be Wild:
Hollywood
and the Sixties Generation (1994)]
Noel Carroll. “The Future of Allusion:
Hollywood
in the Seventies (and Beyond)”
October
20 (1982) 51-81.
David A. Cook. Lost Illusions: American Cinema in the
Shadow of Watergate and
Vietnam
, 1970-1979.
New York
: Scribner’s, 2000.
(History
of the American Cinema ; 9)
Ryan Gilbey. It Don’t Worry Me: The Revolutionary
American Films of the Seventies.
Faber
& Faber, 2003.
Diane Jacobs.
Hollywood
Renaissance.
New York
: A. S. Barnes, 1977.
Les Keyser.
Hollywood
in the Seventies.
San Diego
: A. S. Barnes, 1981.
Peter Lev. American Films of the 70’s: Conflicting
Visions.
Austin
:
University
of
Texas
,
2000.
Axel Madsen. The New
Hollywood
: American Movies in the 1970s.
New York
: Crowell,
1975.
Glen Man. Radical Visions: American Film Renaissance,
1967-1976.
Westport
,
CT
:
Greenwood
, 1994.
James Monaco. American Film Now.
New York
: New American Library, 1979.
Marc Sigoloff. The Films of the Seventies: A Filmography of
American, British and
Canadian
Films, 1970-1979.
Eighties
Douglas Brodie. The Films of the Eighties.
New York
: Citadel, 1991.
Robert A. & Gwendolyn Wright Nowlan. The Films of the
Eighties: A Complete,
Qualitative
Filmography to Over 3400 Feature-Length English Language Films.
Jefferson
,
NC
: McFarland, 1991.
John Pierson. Spike, Mike, Slackers and Dykes: A Guided
Tour Across a Decade of
American
Independent Cinema.
New York
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